In the bustling world of modernity, there exists a timeless allure to antiques—an enchanting gateway to bygone eras that captivates the hearts of enthusiasts across the globe. As people yearn to reconnect with the past and reminisce about childhood memories or explore the lifestyles of previous generations, the appreciation for antique items continues to grow, transcending borders and generations.
Tahir Gasimov, a seasoned antique seller, elucidates the diverse spectrum encompassed by antiques. From vintage lamps to vinyl records, ornate carpets to exquisite copperware, each item serves as a tangible relic of culture and history, weaving stories of bygone epochs into the fabric of our contemporary lives.
Sociologist Lala Mehrali delineates the multifaceted motivations driving individuals drawn to antiques. For some, it's a pragmatic pursuit—an opportunity to acquire undervalued treasures and turn a profit through meticulous restoration and resale. Others, however, are driven by an intrinsic passion for collecting, meticulously curating items that resonate with their personal tastes and interests.
Mehrali's insights shed light on the dichotomy within the antique enthusiast community. While some prioritize the economic aspect, scouring villages and online platforms for hidden gems to refurbish and sell at a premium, others derive sheer pleasure from the act of collecting, irrespective of the monetary value attached to each acquisition.
However, Mehrali acknowledges the challenges faced by collectors in Azerbaijan, where fluctuating antique prices and limited financial resources hinder their ability to expand their collections. Despite a vibrant community of antique aficionados, the disparity in income levels often precludes locals from indulging in their passion to the extent enjoyed by their counterparts in wealthier nations.
The socioeconomic landscape further accentuates this divide, with tourists exhibiting a keener interest in antiquities compared to locals, who may only peruse or purchase more affordable items. The discrepancy in purchasing power underscores the disparity in opportunities to indulge in hobbies and interests, reflecting broader inequalities within society.
The statistical backdrop provided by the State Statistics Committee of Azerbaijan offers context to these observations. With minimum wages and median salaries falling below the price range of many antiques, local residents often find themselves constrained by budgetary limitations, unable to fully embrace their passion for collecting. The minimum wage in Azerbaijan is 345 manats, the average monthly salary is 980 manats, and the average salary is 459 manats.
In essence, the allure of antiques transcends mere material possessions, offering a glimpse into history and culture while serving as conduits for cherished memories and investments. Yet, as economic disparities persist, the ability to partake in this timeless pursuit remains a luxury afforded to the privileged few, underscoring the complex interplay between passion, economics, and societal dynamics in the world of antiquities.
Culture
-
In Azerbaijan, the cost of books spans a broad spectrum, typically ranging from 5 to 25 AZN ($3 to $15). Yet, with the rising cost of living, many avid readers are finding it increasingly challenging to afford their favorite titles. As a result, second-hand books, e-books, and online international orders have become popular alternatives for those seeking affordable access to literature.
-
In the heart of the COP29 Green Zone, where art and ecology coalesce, Azerbaijan made a bold statement. Amid the clamor of global voices, the ART Pavilion stood as a vibrant testament to the intersection of culture, creativity, and sustainability.
-
In a dazzling ceremony held in Mexico City, 21-year-old Victoria Kjær Teilvig from the small Danish town of Dunstal was crowned the winner of the Miss Universe competition, marking the first time a contestant from Denmark has claimed the prestigious title.
-
In a world increasingly marred by the effects of climate change, art has emerged as an unexpected, yet powerful, platform for raising awareness and sparking conversations on environmental responsibility. One such endeavor is the exhibition "A Different Kind of Climate," currently on display at Kapellhaus with support from the Goethe-Institut. The timing of this exhibition is no coincidence, aligning with the upcoming COP29, the UN Climate Change Conference to be held in Baku from November 11 to 22. The exhibition seeks to engage audiences on pressing ecological issues, blending local and international perspectives.
Leave a review