In the bustling world of modernity, there exists a timeless allure to antiques—an enchanting gateway to bygone eras that captivates the hearts of enthusiasts across the globe. As people yearn to reconnect with the past and reminisce about childhood memories or explore the lifestyles of previous generations, the appreciation for antique items continues to grow, transcending borders and generations.
Tahir Gasimov, a seasoned antique seller, elucidates the diverse spectrum encompassed by antiques. From vintage lamps to vinyl records, ornate carpets to exquisite copperware, each item serves as a tangible relic of culture and history, weaving stories of bygone epochs into the fabric of our contemporary lives.
Sociologist Lala Mehrali delineates the multifaceted motivations driving individuals drawn to antiques. For some, it's a pragmatic pursuit—an opportunity to acquire undervalued treasures and turn a profit through meticulous restoration and resale. Others, however, are driven by an intrinsic passion for collecting, meticulously curating items that resonate with their personal tastes and interests.
Mehrali's insights shed light on the dichotomy within the antique enthusiast community. While some prioritize the economic aspect, scouring villages and online platforms for hidden gems to refurbish and sell at a premium, others derive sheer pleasure from the act of collecting, irrespective of the monetary value attached to each acquisition.
However, Mehrali acknowledges the challenges faced by collectors in Azerbaijan, where fluctuating antique prices and limited financial resources hinder their ability to expand their collections. Despite a vibrant community of antique aficionados, the disparity in income levels often precludes locals from indulging in their passion to the extent enjoyed by their counterparts in wealthier nations.
The socioeconomic landscape further accentuates this divide, with tourists exhibiting a keener interest in antiquities compared to locals, who may only peruse or purchase more affordable items. The discrepancy in purchasing power underscores the disparity in opportunities to indulge in hobbies and interests, reflecting broader inequalities within society.
The statistical backdrop provided by the State Statistics Committee of Azerbaijan offers context to these observations. With minimum wages and median salaries falling below the price range of many antiques, local residents often find themselves constrained by budgetary limitations, unable to fully embrace their passion for collecting. The minimum wage in Azerbaijan is 345 manats, the average monthly salary is 980 manats, and the average salary is 459 manats.
In essence, the allure of antiques transcends mere material possessions, offering a glimpse into history and culture while serving as conduits for cherished memories and investments. Yet, as economic disparities persist, the ability to partake in this timeless pursuit remains a luxury afforded to the privileged few, underscoring the complex interplay between passion, economics, and societal dynamics in the world of antiquities.
Culture
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In the bustling streets of Baku, where fashion is as dynamic as the city's skyline, a quiet revolution is taking place. Despite Azerbaijan's strides in waste management, the issue of clothing and textile waste persists, casting a long shadow over environmental progress.
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Despite its rich historical past in Azerbaijan, donation culture faces numerous problems in modern times. Issues such as transparency in reaching the target audience, declining public trust, and the absence of sustainable support mechanisms are major challenges in this field. Additionally, the weak promotion of donation culture prevents its broader acceptance and development within society. Both education and modern solutions are crucial to enhance the social impact of donations.
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On a crisp December weekend, the Passage1901 venue in the heart of Baku came alive with the buzz of creativity, commerce, and community. The “Bizimkilər” (Ours) Festival, a celebration dedicated to supporting local brands, artisans, and small businesses, made its long-awaited return on December 14 and 15. With a fresh two-day program, the festival proved once again to be a vibrant platform for artistic expression, local entrepreneurship, and philanthropy.
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In a vibrant tribute to one of Azerbaijan’s most beloved artistic figures, the Scientific-methodical and Advanced Training Center on culture (MEMIM), in collaboration with the Azerbaijan State Art Gallery and the Union of Azerbaijani Artists, concluded the "Tablolarda Nağıllar" (Fairy Tales on Canvases) exhibition-competition on December 13, 2024. The event celebrated the 115th anniversary of People’s Artist Səttar Bəhlulzadə, whose timeless work continues to inspire generations.
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