In the autumn of 1979, Aydin Mammadov “plunged” into Azerbaijani literature from the side of criticism and turned enchanted poetry upside by being inspired by red flags. If the analogy falls into place, as “an elephant entered a jewelry store”. Linguists Kamil Veli, Kamal Abdulla, and Aydin Mammadov, directing the “steering wheel” of traditional criticism to poetics, skillfully dominated the situation they created.Whichever chair he stepped on, h...

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